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Cantor Arts Center at Stanford University

San Jose Museum of Art
San Jose, CA

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Domestika, 2017
Exhibition: Almost Human: Digital Art from the Permanent Collection
09/22/2019–08/09/2020\ (more information)
Jacolby Satterwhite
Domestika, 2017
Virtual reality video with sound
Museum purchase with funds provided by an anonymous donor, in honor of Beverly and Peter Lipman; 2017.06; Image courtesy of the artist and Morán Morán.
Exhibition: BETA SPACE: PAE WHITE
07/18/2019–01/19/2020 (more information)
Pae White
In collaboration with Jemima Brown, London; David Carlson, Los Angeles; Cerámica Suro, Tlaquepaque, Mexico; Bernardo Chavez, Guadalajara, Mexico; Jeaka Chen, Guangzhou, China; Liz Craft, Venice, California; Aida and Saulius Dirse, Vilnius, Lithuania; EiABC protoLAB, Addis Ababa, Ethiopia; Erzgebirge, Berlin; Léo Kosm, Addis Ababa, Ethiopia; David McDonald, Pasadena, California; Pentti Monkkonen, Venice, California; Rebecca Neiderlander, Eagle Rock, Los Angeles; Robert Tolone, Long Beach, California.
AGAMEMNOMICS (detail), 2013.
Toy pieces: Glass, wood, clay, porcelain, plastic, acrylic, rubber, ink, and paint; Display case: Steel, glass, acrylic glass, and wood
Collection of Pae Whit
Exhibition: Rina Banerjee:
Make Me a Summary of the World

05/16/2019 – 10/06/2019 (more information)
Rina Banerjee
The world as burnt fruit —When empires feuded for populations and plantations, buried in colonial and ancient currency a Gharial appeared from an inky melon—hot with blossom sprang forth to swallow the world not yet whole as burnt fruit, 2009
Fans, feather, cowrie shells, resin alligator, skull, globe, glass vials, light bulbs, gourds, steel wire and Japanese mosquito nets, 90 × 253 × 90 inches
Kiran Nadar Museum of Art, New Delhi, Indi
Exhibition: Rina Banerjee: Make Me a Summary of the World
Tropicalization of nature, Henri-Rousseau restraint, 2007
Exhibition: Koret Gallery: Rina Banerjee Learning Lab
05/16/2019 – 10/06/2019 (more information)
Rina Banerjee
Tropicalization of nature, Henri-Rousseau restraint, 2007
51 1/4 × 32 1/4 × 26 7/8 inches. Horn, feather fans, gourds, bulbs, wood, fabric, peacock feathers, metal bells
Private Collection, Paris, France, courtesy of Galerie Nathalie Obadia, Paris/Brussels

San Jose Museum of Art
110 S Market St,
San Jose, CA 95113
408.271.6840
Map


sjmusart.org

Exhibition Information page 2

Hours:
Tuesday–Sunday, 11am–5pm
Closed Monday
Open Late

Third Thursdays
The Museum is open 11am–8pm or later on the third Thursday of each month. Admission to the galleries is just $5 after 5pm.

Admission:
$10 Adult
$8 Senior 65 and over
Free Teacher with ID
Free College student with ID
Free Youth 7–17
Free Children 6 and under
Free Members

SJMA is pleased to offer free individual admission for youth college students, and teachers with valid ID.
Group Visits

Any group of 15 or more people is considered a group tour. Private adult and college group tours require an additional fee and must be booked in advance. Drop-in groups may be asked to visit at another time due to Museum security and capacity policies. Guided and self-guided visits can be arranged from Tuesday–Sunday 11am–4pm. For questions regarding our group tour policy please visit sjmusart.org/education or contact our education program coordinator at education@sjumusart.org.

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About
The San José Museum of Art celebrates new ideas, stimulates creativity, and inspires connection with every visit. Welcoming and thought provoking, the Museum delights visitors with it’s surprising and playful perspective on the art and artists of our time.

SJMA is a leading showcase in the Bay Area for modern and contemporary art. The Museum has earned a reputation for its fresh, distinctive exhibitions, which are conceived to engage Museum visitors of various ages and cultural backgrounds. Through its exhibitions and programs, SJMA addresses major trends in international contemporary art, architecture, and design, with an ongoing commitment to also place the work of California artists in national and international context. The Museum strives to make significant contributions to art-historical scholarship; address prescient issues of interest to the general public; and offer programs that reflect the rich diversity of its communities. The Museum presents nine to twelve exhibitions each year, including one-person and thematic group exhibitions that include a range of artworks, from traditional painting to exploratory new-media installations. Given its location in the heart of the high-technology culture of Silicon Valley, the Museum has a substantial commitment to new work in new media, as well as to initiating special projects and commissions that reflect issues of importance to its communities.

SJMA is accredited by the American Association of Museums, a recognition given to just 750 of the nation’s 8,000 museums. A non-profit, 501(c)3 organization located on the central city plaza in downtown San José, SJMA serves 100,000 people a year, including some 40,000 school children: SJMA is the largest provider of arts education in Santa Clara County. Initiatives such as the award-winning school program Let’s Look at Art Program and SJMA’s participatory activity stations in the galleries further distinguish the Museum as an innovator in museum education.

Mission
The San José Museum of Art reflects the diverse cultures and innovative spirit of Silicon Valley. Through its exhibitions, programs, scholarship, and collections, SJMA connects the present and the past, the art of the West Coast and the world. The Museum fosters awareness of artists’ broad contributions to society and engages audiences with the art of our time and the vitality of the creative process.

Collection


Exhibitions:

Almost Human: Digital Art from the Permanent Collection
September 22, 2019–October 9, 2020\
(more information)

BETA SPACE: PAE WHITE
July 18, 2019–January 19, 2020
(more information)

Rina Banerjee: Make Me a Summary of the World
May 16, 2019 – October 6, 2019
(more information)

Koret Gallery: Rina Banerjee Learning Lab
May 16, 2019 – October 6, 2019
(more information)

Events

Exhibition Information page 2
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