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Knoxville Museum of Art
KNOXVILLE MUSEUM OF ART

Knoxville, TN

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Wall, 2009 (as installed at Museum of Arts and Design, New York)
Exhibition: Jane South: Shifting Structures
Jane South
Wall, 2009 (as installed at Museum of Arts and Design, New York)
hand-cut paper, ink, acrylic, wood structure, 168” x 180” x 42”
Exhibition: Higher Ground: A Century of Visual Arts in East Tennessee
William Posey Silva
Magic Pool, c. 1915
Cheekwood
Magic Pool, c. 1915
Jered Sprecher (American, born 1976)
A Type of Magic, 2008
oil paint, spray paint, and graphite on linen, 60 x 60 inches
KMA purchase with support provided by Ann and Steve Bailey, Connie and Ralph Gonzalez, Barbara Apking, Hei and Stanley Park, Stuart Worden, Jayne and Myron Ely, Cathy and Mark Hill, Allison and Reid Lederer, Kay Clayton, Penny Lynch and Kimbro Maguire, Dan McGehee, Lane Hays, Carole and Bob Martin, Pam and Jeff Peters, Ted Smith, Dorothy and Caesar Stair, Marie and Bob Alcorn, Jennifer Banner, Barbara and Bernie Bernstein, David Butler, Lynda Evans, Susan and Kent Farris, Arlene Goldstine, Donna Kerr, Sheena McCall, Melinda Meador and Milton McNally, Mary Helen and Fran Olmstead, Betsy and John Quinn, Mary M. Rinearson, Ebbie Sandberg, Andrea Cartwright and Alan Solomon, Sarah Stowers, Rosalind Tillman, and Loida Velazquez
Exhibition: Higher Ground: A Century of Visual Arts in East Tennessee
Ansel Adams (1902-1984)
Dawn, Autumn Forest, Great Smoky Mountains National Park, Tennessee, 1948
Silver gelatin print;
printed c. 1970-76,
19.25 x 14.25 inches
© 2009 The Ansel Adams Publishing Rights Trust
Dawn, Autumn Forest, Great Smoky Mountains National Park, Tennessee, 1948
MUSEUM PHOTOS: Copyright Knoxville Museum of Art 2007

Knoxville Museum of Art
1050 World's Fair Park
Knoxville, TN 37916-1653
(865) 525-6101
Map


www.knoxart.org

Hours:

Tuesday-Thursday 10am-5pm
Friday 10am-8pm
Saturday-Sunday 1pm-5pm

Free Admission

  • The Knoxville Museum of Art announces it will continue free admission indefinitely. This action extends the six-month trial of free admission that was due to expire at the end of December.

    “The unanimous decision by the KMA Board of Trustees to continue with free admission represents tremendous confidence in this community and in this institution. It sends a clear message that the KMA is a truly public resource, to be used and enjoyed by everyone, without barriers. Attendance and public participation went up dramatically when we implemented free admission on a trial basis this year, and we expect that upward trend to continue,” said Executive Director David Butler

    With money tight on many fronts, people can now make free and frequent visits to the KMA and enjoy the ever-changing schedule of exhibitions. Parking is free at the museum as well.

    “During this time of economic uncertainty, it's not easy to walk away from any income source, but we feel strongly that free admission makes the KMA stronger and more stable. And we're very happy that anyone can plan an enlightening and enjoyable trip to the museum with their family without worrying about the cost," Butler said.

The KMA Community Gallery

Open to regional not-for-profit visual arts and cultural organizations. This outreach gallery is intended to create exhibition opportunities and increased visibility for area arts groups, and call attention to a wide variety of local creative talent.


Current and Upcoming Exhibitions

Jane South: Shifting Structures
August 7 - November 7, 2010

Contemporary Focus 2010
August 27 - November 7, 2010

Higher Ground: A Century of Visual Arts in East Tennessee
The museum's permanent installation devoted to the art and artists of our region.

My Space Art Project in the KMA Community Gallery
Through September 5, 2010.
Knoxville Museum of Art Acquires Rare Ansel Adams Photograph Of The Smoky Mountains

The Knoxville Museum of Art announces the acquisition of Dawn, Autumn Forest, Great Smoky Mountains, Tennessee (1948) by legendary American photographer Ansel Adams. Adams (1902-1984) is best known for his timeless black-and-white images of Yosemite National Park and other natural wonders of the American West. In 1948, however, he traveled to the Great Smoky Mountains National Park—his first and only recorded visit to Tennessee—in order take photographs as part of a Guggenheim Fellowship on America’s national parks and monuments.

Evidence suggests Adams discovered the Smokies to be an intimidating subject. In a letter of October 9, 1948, the artist confides that “The Smokys [sic] are OK in their way, but they are going to be devilish hard to photograph...” Adams only published four images from his visit. Prints of these are little known and exceedingly rare. The KMA was able to acquire one of the four, Dawn, Autumn Forest, Great Smoky Mountains National Park, Tennessee, thanks to generous financial support from Patricia and Alan Rutenberg and Mary Ellen and Steve Brewington.

According to KMA Executive Director David Butler, "The museum has recently refined its mission to include the rich history of the visual arts in East Tennessee; the acquisition of this masterwork by Ansel Adams represents a strong commitment to this exciting new direction. This photograph is just one of the many high points in a long, fascinating, and largely unknown story that the KMA is proud to celebrate."

Dawn, Autumn Forest, Great Smoky Mountains, Tennessee will be on display in the KMA main lobby before being incorporated into Higher Ground: A Century of the Visual Arts in East Tennessee, the museum's permanent installation devoted to the art and artists of our region.

The KMA is seeking prints of Adams’ other three published images of the Smoky Mountains with the hope that it can become the first museum to acquire a complete set.


KMA Receives Gift of Major Work of Art

The Knoxville Museum of Art has commissioned sculptor Richard Jolley to create a permanent installation in glass and metal for the walls of the museum’s Great Hall. The as-yet-untitled work is the gift of Ann and Steve Bailey, longtime supporters of the KMA. Steve Bailey is a former KMA board chair.

Sculptor Richard Jolley, celebrated nationally and internationally primarily for his achievements in glass, lives and works in Knoxville. He has been the subject of numerous one-person exhibitions around the country, and his works are collected by art museums, corporations, and individuals throughout the United States and in Germany and Japan.

The museum’s Great Hall, used for community events and educational programs, measures approximately 100 x 40 feet. Jolley’s work is expected to cover most of the upper walls of this monumental space.

According to KMA Executive Director David Butler, “This is a transformative gift for the KMA, and we are grateful to Ann and Steve Bailey for providing this unparalleled opportunity for the museum and for the artist. The project imposes tremendous technical and aesthetic challenges, and will result in the one of the largest and most significant sculptural glass works anywhere.” He adds that that “this signature artwork by Richard Jolley, in one of the city’s grandest spaces, enhances the landmark status of the museum building.” The KMA was designed by renowned American architect Edward Larrabee Barnes and opened to the public in 1990.

The project is expected to take three to four years to complete. Design is still in its initial phases, and no starting date for fabrication and installation has been set.

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