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Chrysler Museum of Art Chrysler Museum of Art
Norfolk, VA
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Chrysler Museum of Art
One Memorial Place
Norfolk, Virginia, 23510
(757) 664-6200
info@chrysler.org

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www.chrysler.org
Labor of Love: The Caregiver Portraits by D. Michael Geller
February 21, 2019 — June 23, 2019
Focus Gallery

A Labor of Love: The Caregiver Portraits by D. Michael Geller is a photography exhibition that tells the stories of 21 people from Hampton Roads who have devoted themselves to caring for their loved ones.

These caregivers provide physical, financial, and emotional support for those who cannot fully support themselves due to age, illness, or disability. While attention is sometimes given to the stories of the ailing and the infirm, caregiving is both a calling and an unsalaried career that is often overlooked.

The photographs in the exhibition were made by D. Michael Geller, a former geriatric medicine physician. Over the course of his professional life, Geller became keenly aware of the relatives who accompanied his patients and provided the necessary but often unacknowledged care that helped those who were ill live their lives to the fullest. As a photographer, he desired to use his camera to tell their stories.

The 25 photographs in the exhibition highlight the love and labor provided by caregivers while exploring a range of caregiving relationships. Visitors will see wives care for infirm husbands, sons care for ailing parents, sisters care for each other, and parents care for their disabled sons and daughters. By sharing caregivers’ everyday stories, the photographs shine a light on how members of our Hampton Roads community build and sustain their relationships.

Watercolor: An American Medium
February 21, 2019 — June 23, 2019
Second Floor, Photography Gallery

A survey of the heights of the American watercolor movement from around 1870– to 1940 that reveals a deeper appreciation of watercolor’s central place in the larger history of American art.

During the second half of the nineteenth century, watercolor painting—once considered a medium best suited to amateur artists or preliminary sketches—developed into a significant force in American art. By the turn of the century, the popularity of watercolor painting as well as the qualities favored by its leading artists of boldness, directness, and cheerfulness led many critics to proclaim watercolor the “American Medium.”

Working in a wide range of styles and motifs, amateur and professional artists produced watercolors of technical brilliance and captivating beauty that pushed the boundaries of the medium and positioned watercolor at the leading edges of American art.

This exhibition presents a survey of the heights of the American watercolor movement from around 1870– to 1940 and reveals a deeper appreciation of watercolor’s central place in the larger history of American art. Many artists who achieved great fame for their paintings in oil such as John Singer Sargent, Thomas Moran, and John La Farge also devoted considerable attention to watercolors, producing some of their most spectacular and enduring efforts within this medium. Through the twentieth century, leading artists like Charles Demuth, John Marin, Maurice Prendergast, and Marguerite Zorach continued to embrace watercolor, which played a pivotal role in the progress of American modernism.

Drawn from the Chrysler Museum of Art’s holdings of works on paper as well as Hampton Roads collections, the exhibition features more than thirty-five watercolors which represent the broad set of styles, subjects, and artists that comprised this important and delightful chapter of American art.

Michael Menchaca: Dioses Nuevos
January 25, 2019 — June 30, 2019
Located in The Box

San Antonio-based artist Michael Menchaca connects his contemporary art practice with the Chrysler Museum’s ancient Mesoamerican collection in Los Nuevos Dioses. On view January 25–June 30, 2019, the dynamic, new, mixed-media installation will be created specifically for The Box project space at the Chrysler.

Menchaca’s work combines video game imagery; vibrant, graphic wall text; and sculpture with references and iconography from Mesoamerican historical codices (pictorial history books). He often creates twenty-first-century deities, based on those from the ancient world, engaged with current sociopolitical issues, such as immigration and political bias that impacts Latinx, Chicanx, and Mexican immigrant communities.

Chaos and Awe: Painting for the 21st Century
Nov 16, 2018. - Apr 28, 2019

Chaos and Awe: Painting for the 21st Century is a sweeping survey of contemporary art from around the world that weaves together images of the physical world, memories, emotions, and the virtual world. Works from thirty-six international artists dramatically suggest the powerful, exciting, and destabilizing effects of 21st-century forces such as globalism, mass migration, radical ideologies, and the rapid expansion of technology.

Chaos and Awe: Painting for the 21st Century was organized by the Frist Art Museum, Nashville, Tennessee. This exhibition is supported by the National Endowment for the Arts, Tennessee Arts Commission, and Metro Nashville Arts Commission.

Beadwork and the Art of Independence
Through February 24, 2019

Ubuhle Women: Beadwork and the Art of Independence features the ndwango (“cloth”), a new form of bead art that has been developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The artists use colored Czech glass beads to transform the flat black cloth into a contemporary art form of remarkable visual depth.

Using skills handed down through generations and working in their own unique style “directly from the soul,” the Ubuhle Women create abstract as well as figurative subjects for their ndwangos. Twenty individual ndwangos and one monumental artwork will be on view, as well as photographs of the Ubuhle artists taken by renowned South African photographer Zanele Muholi.

Ubuhle Women: Beadwork and the Art of Independence was developed by the Smithsonian Anacostia Community Museum, Washington, DC, in cooperation with curators Bev Gibson, James Green, and Ubuhle Beads, and is organized for tour by International Arts & Artists, Washington, DC.

Looking Back to the Future: Norfolk Renewal in Photographs by Carroll H. Walker
Through Mar 31, 2019

With the demolition of the National Hotel in 1958, Norfolk launched the biggest urban renewal project in its history.

The Norfolk Redevelopment and Housing Authority (NRHA) had already begun redevelopment programs in other parts of the city, mostly focusing on public housing. With the Downtown Redevelopment Project, urban planners sought to replace Norfolk’s old downtown with something entirely new. When the dust settled at the end of the 1960s, 140 acres had been cleared. Taverns, burlesque houses, markets, and hotels had been leveled; grand boulevards, modern civic buildings, and towering high-rises took their place. The city’s leaders aimed to establish a new identity for Norfolk by replacing old and dilapidated buildings with modern structures.

Photographer Carroll Herbert Walker, Sr. (1904–1990) had an eye for both the dramatic and the subtle changes brought about by the redevelopment of downtown. The Baltimore native was raised in Norfolk’s Brambleton neighborhood, just east of downtown. Interested in art from an early age, Walker studied painting and book illustration until the Depression drove him to seek other work. He became a sales representative for the Norfolk & Western Railroad, where he worked for 38 years.

As a photographer and avid photography collector, Walker focused on the built and natural environment of Hampton Roads, publishing multiple books about the region that combined historical images with his own contemporary photographs. The works in this exhibition come from a substantial collection given to the Chrysler Museum by Walker in the late 1960s.

This exhibition is on view at the Willoughby-Baylor House, 601 E. Freemason Street, Norfolk.

Exhibition Information page 2

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