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America's First Museum of Modern Art www.phillipscollection.org Museum Hours: Closed Mondays, New Year’s Day, Independence Day, Thanksgiving Day, Christmas Eve, and Christmas Day During severe weather, call The Phillips Collection at 202.387.2151 for information about possible closings. *On the first Thursday of every month, general museum admittance ends at 5 pm due to Phillips after 5 events. Admission after 5 pm is restricted to members and Phillips after 5 ticket holders. Advance ticket purchase for Phillips after 5 strongly encouraged as this popular event tends to sell out. Please note that the original Phillips house is currently unavailable due to a thermal upgrade project. Special exhibitions and selections from the permanent collection are on view in the Goh Annex and Sant Building galleries, and the cafe, shop, and courtyard also remain open. The Phillips house will reopen in 2018. Download the press release for more information.
Ticketed Exhibitions Includes museum collection Tuesday–Sunday Museum Collection Only Saturday and Sunday: When no ticketed exhibition is on view Phillips after 5 ADULTS $12 On Phillips after 5 evenings, general museum admittance ends at 5 pm. Admission after 5 pm is restricted to members and Phillips after 5 ticket holders. Advance ticket purchase for Phillips after 5 strongly encouraged as this popular event tends to sell out. Tryst at the Phillips: Vradenburg Café Phillips Music: A Phillips Tradition Since 1941
Encounter superb works of modern art in an intimate setting at The Phillips Collection, opened to the public in 1921 in Washington’s vibrant Dupont Circle neighborhood. Paintings by Renoir and Rothko, Bonnard and O'Keeffe, van Gogh and Diebenkorn are among the many stunning impressionist and modern works that fill the museum. Its distinctive building combines extensive new galleries with the former home of its founder, Duncan Phillips. The collection continues to develop with selective new acquisitions, many by contemporary artists. Special exhibitions and frequent changes in the arrangement of the permanent collection mean that there's something fresh on every visit to the Phillips. The University of Maryland Center for Art and Knowledge at The Phillips Collection offers stimulating Conversations with Artists, symposia, lectures, and more, while Sunday Concerts, Phillips after 5 programs, and other events provide additional food for thought. The museum also produces a vigorous, award-winning program of educational outreach that serves thousands of students and teachers. The Phillips Collection is a private institution that relies on the support of admission and program fees, endowment income, and generous assistance from individual donors, corporations, foundations, and others. Mission Statement The Phillips Collection is an exceptional collection of modern and contemporary art in a dynamic environment for collaboration, innovation, engagement with the world, scholarship, and new forms of public participation. History Duncan Phillips (1886‒1966) was the younger son of Major Duncan Phillips, a Pittsburgh businessman and Civil War veteran, and Eliza Laughlin Phillips, whose father was a banker and co-founder of the Jones and Laughlin steelworks. He moved with his family to Washington in 1895. Duncan Phillips was very close to his older brother, Jim, with whom he graduated from Yale in 1908. Duncan wrote extensively on art and published his first book, The Enchantment of Art, in 1914. He and Jim also collected works of art, obtaining a collecting allowance from their parents in 1916. His father's death in 1917 and Jim's death from influenza in 1918 were stunning blows to Duncan Phillips. He and his mother responded by founding the museum, originally called the Phillips Memorial Art Gallery. “Sorrow all but overwhelmed me,” he later wrote. "Then I turned to my love of painting for the will to live." Phillips married artist Marjorie Acker in October 1921, just before the museum opened, and the two worked closely together. Over the years, Phillips continued to write about art, build strong relationships with artists as patron and collector, present numerous exhibitions, and frequently rearrange works of art in the galleries. He served as the museum's director until his death in 1966.
An Italian Impressionist in Paris: Giuseppe De Nittis Intersections: Jonathan Monaghan: Move the Way you Want Community Exhibition: Art + Music: More than a Feeling: Printmaking with Washington School For Girls |
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