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Denver, CO
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Denver Art Museum
100 W 14th Ave Pkwy
Denver, CO 80204
720-865-5000
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Exhibitions

Claude Monet: The Truth of Nature
October 21, 2019 – February 2, 2020
Hamilton Building

The Denver Art Museum will be home to the most comprehensive U.S. exhibition of Monet paintings in more than two decades. The exhibition will feature more than 120 paintings spanning Monet’s entire career and will focus on the celebrated French impressionist artist’s enduring relationship with nature and his response to the varied and distinct places in which he worked.

Monet traveled more extensively than any other impressionist artist in search of new motifs. His journeys to varied places including the rugged Normandy coast, the sunny Mediterranean, London, the Netherlands, and Norway inspired artworks that will be featured in the presentation. The exhibition will uncover Monet’s continuous dialogue with nature and its places through a thematic and chronological arrangement, from the first examples of artworks still indebted to the landscape tradition to the revolutionary compositions and series of his late years.

The presentation of Claude Monet: The Truth of Nature will explore Monet’s continuous interest in capturing the quickly changing atmospheres, the reflective qualities of water and the effects of light, aspects that increasingly led him to work on multiple canvases at once. Additionally, the exhibition will examine the critical shift in Monet’s painting when he began to focus on series of the same subject, including artworks from his series of Haystacks, Poplars, Waterloo Bridge, and Waterlilies.

Claude Monet: The Truth of Nature will also delve into the artist’s increasing abandonment of any human presence in the landscapes he created, a testimony to his commitment to isolate himself in nature. This creative process simultaneously established an intimacy with his subject, which culminated later in Giverny, where he created his own motif through meticulous planning, planting, and nurturing of his flowers and plants, which he then translated onto the canvas.

This exhibition is organized and curated by Angelica Daneo, the DAM’s Chief Curator and curator of European art before 1900, Christoph Heinrich, Frederick and Jan Mayer Director of the DAM, and Museum Barberini Director Ortrud Westheider. Major lenders include the Musée d'Orsay, Paris; Musée Marmottan Monet, Paris; Museum of Fine Arts, Boston; The Art Institute of Chicago; and the Metropolitan Museum of Art, New York. A catalog accompanying the exhibition, and published by Prestel Publishing, will include essays by renowned scholars, including Marianne Mathieu, James Rubin, George T.M. Shackelford, Richard Thomson, and Paul Hayes Tucker, among others. The publication will be available in The Shop at the Denver Art Museum and through the online shop. Co-organized by the DAM and the Museum Barberini in Potsdam, Germany, Denver will be the sole U.S. venue for this presentation.

To purchase tickets for groups of 10 or more, contact group sales at 720-913-0088 or groupsales@denverartmuseum.org.

Individual tickets are now on sale. Extended hours are available during Claude Monet: The Truth of Nature. Check the ticketing page for additional times.

Shantell Martin: Words and Lines
September 27, 2019 – January 31, 2021
Hamilton Building - Level 2

Included in general admission

Shantell Martin: Words and Lines is an interactive multimedia installation featuring the work of London-born, New York-based contemporary artist Shantell Martin.

The exhibition features Martin’s signature black and white drawings that explore intersectionality, identity, and play. It includes an interactive wall with triangular boxes that rotate, an animated video projection, and a third section focused solely on Martin’s renowned drawings. Extensions of this installation will be visible throughout the museum, adding an element of surprise and whimsy to every visit to the DAM.

An international sensation, Martin has collaborated with iconic brands and artists such as Puma, Nike, Vitra, Max Mara, Tiffany & Co, and Kendrick Lamar. Shantell’s work can be seen locally on the plaza in front of the Colorado Convention Center and all over the world, including most recently at the New York City Ballet.

Visitors can take home a souvenir from their visit to Shantell Martin: Words and Lines by visiting The Shop at the DAM. Items designed by the artist, including mugs, pins, and stickers, will be available for purchase during the run of the exhibition.

Shantell Martin: Words and Lines is organized by the Denver Art Museum. Support is provided by CultureHaus, a support group of the Denver Art Museum, the generous donors to the Annual Fund Leadership Campaign, and the citizens who support the Scientific and Cultural Facilities District (SCFD). Promotional support is provided by 5280 Magazine, CBS4, and The Denver Post.

The Light Show
On View through May 3, 2020
Hamilton Building - Level 3 Hamilton Building - Level 4
Included in general admission

The Light Show at the Denver Art Museum explores physical and symbolic representations of light in art through a thought-provoking narrative. The exhibition features about 250 objects drawn from the DAM’s nine curatorial departments. The Light Show focuses on the quest by humanity and artists to understand physical light in the natural world as well as metaphorical, spiritual, and divine representations of light.

The exhibition will help visitors reflect on a variety of light-related themes through a broad range of materials and artworks, including ancient sculptures, paintings, photography, textiles, and contemporary installations.

The cross-departmental exhibition is co-curated by Rebecca Hart, Vicki and Kent Logan Curator of Modern and Contemporary Art, and Jorge Rivas Pérez, Frederick and Jan Mayer Curator of Spanish Colonial Art.

Eyes On: Jonathan Saiz
Through November 17, 2019
Hamilton Building - Level 4

On View through November 17, 2019

Included in general admission

Jonathan Saiz’s installation #WhatisUtopia is comprised of a column covered with 10,000 tiny drawings, paintings, and sculptures. By definition, utopia is “an imagined community or society that possesses highly desirable or nearly perfect qualities for its citizens.” The artist employs social media to spark conversation and document responses about our ability to re-envision and embody a modern utopia. More than 10,000 artworks were made to be given away after the end of the exhibition.

Consider Jonathan Saiz's invitation to join his dialogue about utopia. Engage through Instagram at @utopia_is_free with the hashtag #WhatisUtopia or #JonathanSaizatDAM.

Details about the giveaway will be posted beginning October 2019. To receive email notification, register at whatisutopia@denverartmuseum.org.

Eyes On Erika Harrsch
Through November 17, 2019
Hamilton Building - Level 4

Included in general admission

Eyes On: Erika Harrsch features a single contemporary installation titled Under the Same Sky… We Dream. Harrsch (who is based in New York and was born and raised in Mexico City) first exhibited Under the Same Sky… We Dream in El Paso in 2017 just as regulations became more stringent for those seeking asylum in the United States. The installation also was featured at B3: The Biennial of the Moving Image in Frankfurt, Germany, that same year.

Harrsch’s installation offers a place of reflection that acknowledges the children who have crossed the border between Mexico and the U.S. The multimedia exhibition uses photography, animation, visual language, and musical performance to capture current cultural, political, and environmental issues faced by children of refugees and undocumented immigrants.

The installation is presented in a darkened space that is separated by a hanging screen; the silhouette of the screen is cut to resemble the borderline between the U.S. and Mexico with a video of clouds passing by. Visitors are prompted to enter the space and pass underneath the soft hanging screen to the other side of the room where there are mattresses and Mylar blankets, similar to those used by Immigration and Customs Enforcement (ICE) in detention centers that house undocumented minors who have been detained trying to illegally enter the U.S. The words of the as-yet-unpassed DREAM Act envelop the room sung by vocalist Magos Herrera. Visitors are invited to recline on a mattress and use provided lamps to read the DREAM Book, which includes the words from the song playing in the room.

Eyes On: Erika Harrsch is organized by the Denver Art Museum. It is presented with the generous support of Vicki and Kent Logan, the donors to the Annual Fund Leadership Campaign, and the citizens who support the Scientific and Cultural Facilities District (SCFD). Promotional support is provided by 5280 Magazine, CBS4, Comcast Spotlight, and The Denver Post.

Norman Rockwell: Imagining Freedom is organized by The Norman Rockwell Museum. Leadership support for the exhibition is provided by Jay Alix, The Alix Foundation and the George Lucas Family Foundation. National Presenting Sponsor is The Travelers Companies, Inc. Major support provided by Michael Bakwin, Helen Bing, Elephant Rock Foundation, Ford Foundation, Heritage Auctions, Annie and Ned Lamont, Lawrence and Marilyn Matteson, the National Endowment for the Arts, Ted Slavin, and an anonymous funder. The presentation at the DAM is generously funded by the donors to the Annual Fund Leadership Campaign and the citizens who support the Scientific and Cultural Facilities District (SCFD). Promotional support is provided by 5280 Magazine, CBS4, Comcast Spotlight and The Denver Post. Media sponsorship has been provided by Curtis Licensing, a division of The Saturday Evening Post, and by the Norman Rockwell Family Agency.

Treasures of British Art: The Berger Collection
March 2, 2019 – July 12, 2020
Hamilton Building - Level 2

Included in general admission

Treasures of British Art: The Berger Collection showcases about 60 paintings gifted to the museum by the Berger Collection Educational Trust (BCET) in 2018. The BCET’s gift is the largest gift of European old masters to the DAM since the museum received the Kress Collection in the 1950s. The exhibition will present a chronological selection of works ranging from the 1400s through the late 1800s, telling the story of Britain’s rich cultural history. The exhibition will invite visitors to immerse themselves in the places, personalities, and events that shaped a nation over the course of five centuries.

Treasures of British Art will present 500 years of British cultural history through the stories of its people, captured by the enduring brilliance of artists of the time. The exhibition will feature devotional images, portraits, landscapes and sporting scenes by the greatest artists of the British School—including Thomas Gainsborough, Thomas Lawrence and John Constable—as well as non-British artists who spent significant time in Britain—such as the Flemish artist Anthony van Dyck, and American artists Benjamin West and John Singer Sargent.

This exhibition will present groundbreaking results of recent research conducted on the collection’s renowned group of portraits from the Tudor era. Among the findings: the portrait of Henry VIII is one of seven stylistically similar Tudor royal portraits that were likely all painted by the same artist. What’s more, five of these pictures – including the Berger Henry VIII – were found to have been painted on wood from the same tree. More details to come in 2019.

Beyond the groundbreaking forensic discoveries, visitors will be fascinated by the timeless relevance of artwork subjects featured in Treasures of British Art. The exhibition will display how international exchange influenced British art, history and culture. Not since the DAM’s 1999 landmark exhibition 600 Years of British Painting will so many works from the Berger Collection be on view.

A catalog accompanying the exhibition is already available in The Shop at the Denver Art Museum and through the online shop. A related academic symposium will be held at the DAM in September 2019. Organized by the DAM and curated by Kathleen Stuart, curator of the Berger Collection at the DAM.

Learn more about the collection here.

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