Fazal Sheikh: Thirst | Exposure | In Place is an exhibition created from three projects photographer Fazal Sheikh made on the Colorado Plateau from 2017 to early 2023. Sheikh’s portraits and landscapes shed light on the far-reaching consequences of extractive industry and climate change.

Born in 1965 in New York City, Sheikh creates images of displaced communities and marginalized people that prompt awareness of the world beyond the museum. The photographs in Thirst ǀ Exposure ǀ In Place expose indelible marks on the Colorado Plateau and American Southwest landscape that have been etched by both geological and human forces. Through this beautiful and sometimes frightening new work, Sheikh encourages viewers to witness the consequences of the past and imagine the shape of the future.

The exhibition presents Sheikh’s recent work in three interrelated sections: Thirst is a new series of aerial photographs that document the decline of the Great Salt Lake in northeast Utah, which is shrinking due to overconsumption and dwindling rain and snowfall. Exposure examines the impacts of uranium, coal, oil and natural-gas extraction on the American Southwest and on its Indigenous inhabitants. In Place evokes the enduring landscapes of the Bears Ears region in Utah, bringing Sheikh’s photographs together with contributions from scientists and Indigenous communities in and around Bears Ears in southeastern Utah.

Visitors will reflect upon the transformation—and often devastation—of these landscapes in the context of the past, present and future, while considering the juxtaposition of beauty and catastrophe, as well as intimate, human-scale stories and those spanning vast geological eras and changes.

Have a Seat: Mexican Chair Design Today is an interactive exhibition featuring three historical artworks, 17 contemporary seats designed by 22 Mexican artists, and a site-specific art installation.

Through their pioneering designs, the artists in Have a Seat embark on a journey through history and traditions, exploring the enduring legacy of the cross-cultural world that emerged in Mexico following the Spanish conquest, which incorporated elements of Indigenous, Asian, African, and European cultures and continues to inspire new types of objects and furniture for the 21st century. Have a Seat showcases furniture by contemporary Mexican designers represented in the museum’s permanent collection, including Andrés Lhima, Cecilia León de la Barra, Daniel Valero, Bárbara Sánchez-Kane, Jorge Diego Etienne, and many more.

Have a Seat invites visitors to learn about the connection between contemporary Mexican design and ancient and colonial artistic practices. Hands-on interactions throughout the exhibition will encourage visitors to sit on and move selected chairs and seats, offering the tools to identify the ancient, colonial, and mid-century modern influences.

Included in general admission

The Life and Art of Tokio Ueyama features more than 40 paintings loaned to the museum by the Japanese American National Museum and Ueyama’s family, whose combined efforts to preserve his work have allowed the story of this accomplished and cosmopolitan artist to be told at the DAM for the first time.

Born in Japan, Tokio Ueyama moved to the United States in 1908 at age 18, where he made a home until his death in 1954. This exhibition tells the story of Ueyama’s life, including his early days as an art student in San Francisco, Southern California, and Philadelphia; his travels abroad in Europe and Mexico; his role as artist and community member in Little Tokyo, Los Angeles; and his incarceration during World War II at the Granada Relocation Center, now the Amache National Historic Site, in southeast Colorado.

Following the bombing of Pearl Harbor in 1941, Tokio and his wife Suye were among more than 120,000 Japanese Americans forcibly relocated into American concentration camps. More than 10,000 people were incarcerated at Amache in the following years, making it the tenth largest "city" in Colorado at the time. There, Ueyama taught adult art classes to 150 students. This exhibition tells a story of a time in Colorado’s history, of a place where Americans experienced dislocation and loss, and, more importantly, displayed unimaginable resilience, tenacity, and creativity in the face of prejudice.