Passing Through features the works of Birmingham-based artist Amy Pleasant. Pleasant’s large-scale canvases and graphic paintings overtake the walls of the Hunter’s historic mansion stairwell, welcoming visitors to the early American galleries. Her figurative silhouettes deal with complex subjects, connecting traditions of American portraiture with contemporary themes of identity and human behaviors.

Amy Pleasant has been recognized by such prestigious organizations as the John Simon Guggenheim Memorial Foundation and Joan Mitchell Foundation.

Image: Amy Pleasant (b. 1972), Repose VIII, from the series Repose, 2018. Ink and gouache on paper. Courtesy of the artist.

Artist Statement
In my studio practice, the work moves between form and function as I think about fluidity of materials, process and time. Drawing on parallels between the unpredictability of the ceramic process and the shortcomings I often feel as an immigrant, woman, wife, mother and educator. Obsessed with succeeding, becoming something of value and the connectedness as I sit and shape intricate clay objects.

Refining fragile forms, resilient to time and change in hopes that the biomorphic exterior will forge a relationship with the viewer and prevent them from being discarded as remnants of their maker.

Keeping these thoughts in check, I walk into the studio and make. Pushing my work in many directions, using and exploring materials I wouldn’t have otherwise. The Blooop series emerged as I regained control by making joyful objects full of childlike wonder. With feeling of play, without judgment, the work is loud, unapologetic; mine.
- Alina Hayes

About the Artist
Born in Ukraine, Alina Hayes grew up in New York City, New York. The daughter of a jeweler and a musician, and the granddaughter of a potter and a surgeon, Hayes views hand-work as a part of her heritage. She began her studies at the School of Visual Arts before relocating to Los Angeles in 2005, where she completed both her Bachelor of Arts and Master of Arts (emphasis in Ceramics) degrees at California State University, Northridge. Hayes currently serves as an Adjunct Professor at Ventura Community College.

Learn more about Hayes on her website and follow her on Instagram.

This exhibition is funded in part by The LA County Department of Arts & Culture.

The 2022 Annual High School Ceramics Exhibition features works by 99 students from 50 cities in 16 states – a vibrant sample of the next generation of ceramic talent in the United States.

This program generously funded provided, in part, through grants from Ruth and Joseph C. Reed Foundation for the Arts, and the DEW Foundation.
View the Virtual Exhibition

Juried Artists
Join us in congratulating the following student artists selected for the exhibition:

California
Baldwin Park: Maritza Ortega ’22 Cerritos: Tianqu Lin ’22 Claremont: Gavin Langhorst ’23 Dublin: Eleni Freeman ’24/25, Elizabeth Koh ’23, Judit Kontra ’22 Glendale: Maya Albuerne ’23, Kaliani Boden ’22 Glendora: Allison Chung ’24/25 Granada Hills: Demi Sedrakyan ’22 La Canada: Melody Huang ’22, Maylin Chen ’24/25, Kelsey Lin ’24/25 Lake Forest: Delfina Anderson Comas ’24/25, Wilfredo Argueta ’22, Michaela Arsene ’24/25, Michael Brail ’22, Zoe Carmack ’24/25, Adolfo Corrales ’24/25, Cathy Ellsworth ’22, Mischa Miranda ’24/25, Peyton Neblett ’24/25, Brandon Perez ’23 Los Angeles:Audrey Chen ’24/25, Julissa Espinoza ’24/25 Los Olivos: Catherine Allen ’23 Monrovia: Alexis Castellanos ’23, Ian Hughes ’23, Sarah Lopez ’24/25, Emma Luiten ’24/25 Montclair: Alex Covarrubias ’24/25 Murietta: Luna Cook ’23, Krista Karban ’22, Viktoria Petrovski ’23, Alexandra Santana ’22 Palos Verdes: Annie Cushman ’23, Charles Hill ’22, Max Polin ’24/25, Jo Reina ’24/25 Pasadena: James Gomez ’22 Rancho Cucamonga: Kaylee Houghton ’22 Redlands: Sydney Young ’23 Riverside: Brittany Hernandez ’22, Nhu Hua ’23, Emberlee Preciado ’22 Rolling Hills: Isabella Dunlap ’23 San Francisco: Phoebe Anzalone ’23, Natalie Deiner ’23 Sherman Oaks: Isabelle Verdery ’23 Tustin: Kiera Henson ’24/25 Venice: Alina Williams ’24/25 Wildomar: Mc Kenna Trimble ’23

Florida
Casselberry: Avery Birle ’22 Winter Park: Hannah Yared ’22, Elaine Peng ’22

Georgia
College Park: Amari James ’23 East Point: Karizma Baker-Upshaw ’22

Idaho
Post Falls: Mya Gackstetter ’22, Jensen Wilson ’23

Kansas
Shawnee: Destyni Meadows ’22, Lacy Nettie ’24/25

Louisiana
Covington: Kristen Cloutman ’22, Avery McLaughlin ’22

Maryland
Rockville: Elizabeth Khludenev ’23

Nevada
Carson City: Kora Ashton ’22

New York
Binghampton: Amanda Bixby ’22, Mary Brom ’24/25, Savana Collins ’22, Ainsley Staub ’22, Sophia Sullivan ’22, Jennings Terrell ’24/25 Island Park: Jordan Serrano ’22, Liam Zvonik ’24/25 Wading River: Brianna Daman ’22

North Carolina
Apex: Leena Ganta ’24/25 Holly Springs: Shannon Carroll ’22

Ohio
Cincinnati: Skylei James ’22 Perrysburg: Morgan Hirsch ’23, Chloe Toon ’22

Oregon
Corvallis: Adam Miller ’22 Hillsboro: Simone Raymond ’23,Lydia Rubash ’22, Brooklin Rue ’24/25, Jennifer Valencia ’22/23, Gracie Vanderpoel ’23, Nia Zenger ’24/25

Pennsylvania
Mercer: Alexandra Schuster ’24/25 Sharpsville: Sarah Bush ’22

Virginia
Mechanicsville: Sarah Gormley ’23, Caroline Hession ’23, Emily Maxson ’22

Washington
Olympia: Asher Coppin ’22, Kylee Lyons ’23, Anastasia Ochkur ’22, Takara Putt ’24/25 Seattle: Kyu-Sun Kim ’24/25 Shelton: Yamila Rojas ’22

Wisconsin
Beaver Dam: Alexandra Olson ’24/25

Annual High School Exhibition Program
Since 2014, AMOCA has hosted an annual juried exhibition showcasing the remarkable talents of high school students studying the ceramic arts. Click the link below to learn more about the program and past exhibitions.

Exhibition Overview
Connected Spaces presents nearly 50 artworks by California-based artists Michael F. Rohde and Cheryl Ann Thomas. This assembly of ceramic sculptures and woven tapestries is focused on a recent series created by the artists through a year-long artistic exchange in 2020-2021. The exhibition will also include pieces by both artists beyond the series to provide context.

Connected Spaces: Cheryl Ann Thomas + Michael F. Rohde is curated by Jo Lauria,

Adjunct Curator.
From the Curator
Michael Rohde and Cheryl Ann Thomas are longtime friends whose art practices were markedly different: Rohde, a weaver, worked with threads and loom; Thomas, a ceramist, utilized clay and kiln. The exhibition’s genesis developed from the concept of interchange: the act of mutually giving and receiving and the exchange of ideas. The artists first identified the common ground in their art practices from this launching site and asked critical questions about their motivations and commitments.

Cheryl Ann Thomas: “Friendships enhance individuals through an interchange of ideas. Something new emerges that might not have been imagined. In looking at Michael’s work, I consider colors and patterns that I might not have thought of – his approach is unique and considered. The materials we use have commonalities. Color comes from natural materials; his forms are built up slowly, as are mine. Both works have a similar continuous line. Since my coils are not smoothed out, people often mistake my pieces for woven objects. Our methods of constructing a form, line by line, are slow and contemplative. What would happen if we agreed to create a new body of work based on a consideration of how fiber and clay could speak to each other? How would collaboration lead us to a new direction in our separate disciplines? We have agreed to commit ourselves to this investigation.”

Michael Rohde: “There are so many commonalities between how Cheryl and I approach our own art-making, as Cheryl has cited. To these, I would add the vector of time: each process is slow in execution with long hours working in isolation, hence the meditative aspect of our processes. Beyond that, we both use our medium with a contrarian approach. What ceramist would over-fire her carefully built forms? Why would a weaver depart from centuries of trying to turn representational paintings into woven images? We both chose to break the rules of our craft and make something new. Taking the approach further, we decided to embark on this joint project, breaking out of our isolated practices and entering into an interchange of ideas, forms, and the expression of both.”

During the exchange period, Cheryl changed to a different clay body for a distinctive series of vessels, shifting from her studio porcelain that produced an opaque finish to one formulated to produce translucency when fired. Michael reacted to this shift by varying the materials and scale of the tapestries that represent this distinct series. Responding to the reflective qualities of the new pieces, Michael selected silk yarns to weave the vessel profiles, as silk is a more lustrous material than the wool he had been using to execute the previous tapestries. Further, since the vessels in this series were of a smaller scale, Michael reduced the size of the weavings to better correspond to the more diminutive proportions. In the design of the exhibition, the plan is to separate this group of translucent vessels and silk weavings to amplify their connection – just one of several revelations to be savored in Connected Spaces.

About the Artists

Cheryl Ann Thomas
Cheryl Ann Thomas, born in 1943 in Santa Monica, CA, received her BFA from the Art Center College of Design in 1982 and began practicing art full time in the late 1990s. Her first solo exhibition was in 2000, and her work has since been exhibited in solo and group shows in New York, Los Angeles, Boston, Santa Fe, Paris (France), and China. Her work is included in the collections of the American Museum of Ceramic Art, Museum of Fine Arts Boston, Museum of Fine Arts Houston, Fuller Craft Museum, Minneapolis Institute of Art, Cranbrook Academy of Art, Henan Museum in China, and the Gardiner Museum of Ceramic Art in Toronto, Canada. She is a grant recipient from the prestigious Pollock-Krasner Foundation, and she received the Lee Krasner Award for Lifetime Achievement in 2020.

Thomas lives and works in Ventura, California.

Learn more on her website.

Michael F. Rohde
Michael F. Rohde, born in 1943, has been weaving since 1973 and completed his studies at the Alfred Glassel School of the Houston Museum of Fine Arts in 1981. His work has been included in the United States Department of State Art in Embassies Program, exhibits at the Textile Museum in Washington, DC, the American Craft Museum in New York, the invitational Triennial of Tapestry in Lodz, Poland, from Lausanne to Beijing, solo exhibits at the Janina Monkute-Marks Museum in Lithuania as well as at the San Luis Obispo (CA) Musuem of Art, and in an exhibition at the Mingei International Museum in Balboa Park in San Diego. His work is in the permanent collections of the Textile Museum (Washington, DC), the Mingei International Museum, the San Jose Museum of Quilts and Textiles, the Ventura County Museum of Art, the Racine Art Museum, and The Art Institute of Chicago.

Rohde lives and works in Westlake Village, California.

Learn more on his website and follow him on Instagram.

About the Curator
Jo Lauria is one of Southern California’s foremost curators of ceramic arts. A former curator of decorative arts at LACMA where she organized the seminal exhibition Color and Fire: Defining Moments in Studio Ceramics, 1950-2000, Lauria’s past curatorial projects at AMOCA include Common Ground: Ceramics in Southern California (1945–1975), Honoring the Past, Embracing the Future: AMOCA’s 10th Anniversary, Discovering Saar Ceramics, and Silver Splendor:

The Art of Anna Silver.

Learn more at JoLauria.com or follow her on Instagram.

This exhibition is funded in part by the Boardman Family Foundation and The LA County Department of Arts & Culture.